We thought the robots might have abandoned us forever. SM, After lingering in the shadows of cult cool, ‘Currents’ was Tame’s stepping-out-into-the-spotlight moment – a huge album featuring some of mastermind Kevin Parker’s biggest pop songs yet. 6. Which makes the carnage of, Nothing: “A.C.D. People rightly talk about how ‘Alright’ fuelled the endurance of the Black Lives Matter movement, but this record is at its best when it channels the more paranoid politics of Malcolm X rather than the optimism of Martin Luther King, with the moody urgency of ‘The Blacker The Berry’ and ‘Mortal Man’ still capable of lighting a fuse under any crowd. In 2015, the strain became too much for Hayley Williams – the only constant in the band over 16 years – and she stepped away to focus on her health. Like this? ‘The Glorious Land’ 4. EH, Donald Glover silenced any remaining Gambino doubters through his 2016 reinvention as a soul and funk singer from the 1970s. “My story is far from finished,” Drake presciently declares. The edges would get smoothed over later on, but this is the band at their purest. Lana was the first contemporary sad girl who sang. Packed with self-referential nods and sardonic wordplay, it established him as a pop star with opinions on everything, a brain that never stops ticking over and a lot of extreme life experience. ‘Green Light’ 2. Not so Idles, who took inspiration from disparate sources within the genre – here you’ll find the sneer of The Stooges or the askew drama of The Fall – then reimagined what punk rock might sound like within the era of Brexit, the rise of the new-right and a new discourse about what masculinity might mean. Goosebump moment: The rallying cry of ‘Crisis Fest’’s combative bridge and chorus. Not only was its name coined by the notoriously fickle UK press, but the majority of shoegaze bands share a common geography that informs their sound—not just a cohesive physical scene, but a working-class Englishman ethos. Attenzione: produce riverbero. ‘Swimming Pools (Drank)’. Lana wasn’t afraid of much on ‘Born to Die’ – not metaphors of cancer, nor immortal declarations of love, or comparisons with Nabokov’s controversial Lolita. “What do you meeeeeeeean you’ve never seen Blade Runner?” Still got it. The debate over the greatest ever Kanye album may rumble on for eternity, but it seems silly to suggest that anything but ‘MBDTF’ is his masterpiece. 16. Fiery, funny, and incredibly sexually free, the record saw Cardi shooting down haters with rapid-fire flow and inventive, brash bars, and securing her crown as the new Queen of Rap. “Let the vagina have a monologue” she declared on ‘Django Jane’; “This pussy is gonna grab you back” she warned on ‘I Got the Juice’. ‘R U Mine?’. 15. Before ‘2’, Mac was touring half-empty venues out of his car. In a lesser musician’s hands it would have screamed dad-rock, but the lushness of ‘Lost In The Dream’ connected with everyone from Glastonbury’s Pyramid Stage crowd to The BRIT Awards, where they were nominated for Best International Band. Kendrick could have just done more of the same and still satisfied critics, but by taking this ambitious left-turn and experimenting with jazz and a loose, free-flow style of rapping, the Compton native showed an aversion to following a script. The lyrics of ‘Let England Shake’ took almost two years to perfect, as she digested works on the First World War, the Bosnian conflict and the war on terror, trying to make the words work as standalone poetry. Not only was its name coined by the notoriously fickle UK press, but the majority of shoegaze bands share a common geography that informs their sound—not just a cohesive physical scene, but a working-class Englishman ethos. If her subsequent two albums felt forced – either too acidly preoccupied by the tabloid squall (2017’s ‘Reputation’) or too sprawling (2019’s ‘Lover’) – what staggers now is how effortless ‘1989’ seems. Blessedly, ‘The Magic Whip’ conspired to strike out in unfamiliar territory while still sounding unmistakably like Blur, whether charting extraterrestrial melancholy on ‘Thought I Was a Spaceman’ or unapologetic love songs like ‘Ong Ong’. The Best Albums of The Decade: The 2010s. It does what it needs to when it needs to. ‘Lostmyhead’. And when the shoegazer moniker didn’t seem to irritate enough, the same wags started referring to these bands as “the scene that celebrates itself,” based apparently on the fact that these bands dug each others' music. Some of these bands went on to considerable success—the. MN, After straying into weirder territories on fourth album ‘Velociraptor!’, the Leicester louts remembered exactly what they’re best at on its follow-up. Surprise surprise, it was another suit that fitted perfectly. , when the many bands influenced by their approach to guitar integrated the noise into new pop contexts. The writing is sharply-observed, sometimes self-lacerating and often laugh-out-loud funny. If you’re Kendrick Lamar, you don’t even try. In their own words: “I wrote to keep myself busy and sane. GR. The album even helped spark a mini-shoegaze revival, as … Listen to the Best Albums of the Decade Spotify playlist here. An existential crisis haunted by the ticking clock of mortality, it was the sound of indie-pop’s smart alec’s facing the sobering realisation they didn’t know it all. Heartbreak at any age sucks, but your first experience of it is world-shaking. ‘I like it when you sleep, for you are so beautiful and yet so unaware of it’. ‘Knee Socks’. Modern Man 4. Goosebump moment: Lead single ‘Unsainted’ sounded exactly as you’d hope Slipknot would sound in 2019. A full decade on, ‘The Suburbs’ endures because it manages to look forwards, backwards, inwards and outwards all at once. Its legacy helped to inform and shape decades of experimental music, from the template it created in the early 90s, to the burgeoning nu-gaze offshoot of the 2010s. ‘End’. Their full-length debut, Afrodisiac, is the great lost American shoegaze classic, with influences from Prince to Cocteau Twins to A.R. EH, Set against another decade of hand-wringing about the death of rock music, Royal Blood’s self-titled debut album didn’t mock the concept so much as bully it into submission. Rewarded, even. The roll-call of featured artists read like a who’s-who of popular music at the time (Sam Smith, Jessie Ware, Friendly Fires), all of whom took a back seat to the wunderkind producers; it’s amazing to think that Howard and Guy Lawrence were 18 and 21 respectively when they made ‘Settle’. There are fantasies of fleeing fruitlessly from the sprawl, nostalgic daydreams laced with sorrow, and straight-up denial that anything is even wrong. The album’s success – her first Top 10 record, album of the year in NME and her second Mercury prize win, making Harvey the only artist ever to do the double –  also decisively secured her place as a top-tier songwriter, one you’d be wise not to underestimate. Initially shocked us with the resounding quasi-My Bloody Valentine ‘Muffhead’ featured on their 2015 EP I, the band released their long-awaited debut studio album Ringthing in 2018. AT. A work of extraordinary empathy and insight, Kendrick Lamar’s second studio album – and commercial breakthrough – wove a bighearted tale about his upbringing in LA’s infamous Compton neighbourhood, as he rejected the temptations of gang culture and instead embraced a life of rhyme. In their own words: “It sounds like a Dr Dre beat, but we’ve given it an Ike Turner bowl-cut and sent it galloping across the desert on a Stratocaster.” Alex Turner, NME, July 2013. She described it as “Hollywood sadcore”, a deliberate wallow that was somehow still aspirational. In many ways, shoegaze can be considered a quintessentially British genre. –Ben Cardew. Soon after, the album, ‘channel ORANGE’, was released. But that’s only half the story of ‘good kid, m.A.A.d City’. Hints of their particular ‘80s-styled synths and fidgety guitar lines cropping up as far afield as in the music of K-pop groups such as Day6 or Pentagon. Special periods of super-stimulated energies and interests, and the role of the newly emergent drug ecstasy, should not be underestimated. Singer Corey Taylor’s dangerous penchant for melody remained, as did his confidence in showcasing it. Key track: ‘Why’d You Only Call Me When You’re High?’, which somehow delivers on Turner’s ludicrous hype quoted above. We count down the 75 best albums of the past decade – from 2010 to 2019 Words: Sam Law, Tom Shepherd and Paul Travers So that’s it, we’re at the end of the 2010 s. ‘I Am A God’, 4. Loveless is the best and most coherent example of this pioneering style, combining honeyed vocals with relentless distortion for an end result as challenging as it was intoxicating. A new decade had arrived, the Tories were back, and the nation was reeling from recession. ‘Visions’ sounds exactly like what it is: an album crafted as a midpoint between R&B and IDM in an insomniac chemical rush by a woman who with equal love for Nine Inch Nails and K-pop. The Top 10 Best Shoegaze Albums. Lana would purr for validation, and then growl for redemption. Diet Mountain Dew 6. Stepping forward with what I know about architecture, about classicism, about society, about texture, about synesthesia—the ability to see sound—and the way everything is everything and all these things combine, and then starting from scratch…” (Interview Magazine, 2014).

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